Introduction
In this month's newsletter, we feature an online interview that
Audio Note Singapore had with Mr Yamada of Zanden Audio (Japan).
He talks about the Zanden product development. We would like
to thank Mr Yamada for this opportunity.
We would also like to announce that our website has included
new audio equipment from Portal Audio (amplifiers)
and ASCENDO (speakers).
Interview
With Mr. Kazutoshi Yamada of Zanden Audio
The
following is an interview with the highly esteemed Kazutoshi
Yamada of Zanden
Audio fame. He is the man behind one of the hottest
super high-end audio brands in the industry, and designer of
the award-winning Model
5000 tube DAC and Model
1000 tube phono stage. Some of his other products
include the elegantly beautiful Model 7000 amplifier that sets
new standards in the pure Class A Single-Ended genre, and the
new top-of-the-line Model 9500 monoblock that is taking America
by storm at this moment.
Mr.
Yamada, when did you first start Zanden, and what were your goals at that
time?
I
started Zanden 24 years ago, when I was 27 years old. At that
time there was only analog. My goal was to realize true live
sound from LP records. I found one solution, which I am using
in the Model 1000 phono stage and Model 5000 DAC. This was the
use of a fixed impedance filter technique.
Please
describe a little bit regarding your background in audio and also
your personal preference and philosophy in music.
I
graduated from Osaka Prefecture University. My major was electronic
communication engineering. I have the experience of more than
500 live music concerts as a coordinator. Therefore, I have
a lot of experience listening to live music. I like classical
music, especially Bach. I also like Jazz and world traditional
music.
Almost
all models of your power amplifiers are either Single-Ended design
or low power push-pull designs. Can you explain the advantages
of this compared to high power designs that are favored by other
brands?
It
is easy to get high power from a pentode circuit compared to
a triode circuit. However, I don't think the negative feedback
circuit is the best choice for audio electronics, and pentode
tube circuits inevitably need it. We must use a triode tube circuit
if we want to avoid using any negative feedback. Moreover, we
can use a permalloy core output transformer for better sound
quality. And while the triode circuit gets less power than a
pentode tube circuit, we can compensate by using the 845 triode
tube to get higher power output.
Are
there any design aspect or parts selection in your products that
are unique to Zanden? Is this the reason why you can achieve the
special Zanden sound?
I
already have 6 patents and a patent pending technology regarding
analog filters for digital audio. I design all my amplifiers
with these technologies and some other very unique ideas. Some
examples:
- I
use a non-traditional, unique fixed bias for tube circuits
whenever possible. I believe in minimizing the number of
capacitors in the circuit. I always use a rectifier tube
to produce the minus bias. I almost always use polypropylene
signal capacitors.
- I
invented some useful current-regulated circuits and have
applied them to all of Zanden's amplifiers.
Your
Model 5000 MK3 DAC has achieved remarkable worldwide success, and
even received some highly coveted awards from major magazines.
Is this due to the 1x oversampling technology that is used in the
DAC, or are there other factors?
The
1x oversampling technology is certainly an important factor.
The DAC also has some other unique and important technologies.
One of these is the currently patent pending Zanden analog filter
that reduces sampling noise. Its phase shift characteristic is
only about 10 degrees at 20kHz. Also this filter is a fixed impedance
type and constructed as a passive device. It consists only of
coils, capacitors and resisters.
So this filter acts as a straight wire within the music signal frequency range
(20Hz to 20kHz). The tube amp circuit is unique and unlike any other manufacturer's
circuit.
Regarding the latest Model 5000MK3, this DAC uses a very effective RF noise
absorption material, that was invented in Japan and not used by other manufacturers
in the audio industry.
I have been studying about the influence of RF noise and its relation to sound
quality for 2 years. Thanks to this research, I have reached some important
results regarding RF noise, and I am going to release some products benefiting
from it very soon.
There
are strong rumors that you are producing a very high quality digital
transport to match with the Model 5000 DAC. Is this true, and are
there any special details of this new design that you would like
to reveal?
Yes,
I am developing a very high quality top-loading CD transport
right now. This transport will be compatible not only with the
Zanden DAC but also every other DAC. The final sales product
will have 2 versions. While the cosmetics are the same, the clock
circuit and accuracy are different. The top model is really exceptional
because it has a clock oscillator, which is about 10,000 times
more accurate than other famous hi-end transports. (The entry-level
unit is fully upgradeable to the top model).
Both models have a special design that solves some of the basic problems of
CD pick-up mechanisms and a special construction, which reduces the negative
effects of RF noise. I am designing the main transport unit and power supply
units separately. The CD mechanism is the Philips CDM12 PRO2 with some modifications.
Now
that Zanden has established a good reputation for producing very
high quality audio products, are there any plans to expand the
product range? Are there any other new and interesting models to
expect in the future?
I
know that a high quality line stage amplifier (or preamp) is
needed by the end-user. Therefore, I am working to release one
as soon as possible.
Currently, I have only a prototype version. I intend to focus on it after releasing
the Zanden transport. I have already finished developing a new digital cable
for use between the digital transport and DAC. This will incorporate the same
RF shielding materials used in the Model 5000 MK3.
Also I am developing some useful accessories to improve the sound quality of
various components. More details of this will be released at a later date.
Lastly, I am very interested in high-efficiency speaker systems like the horn
designs from Avantgarde Acoustic.
I would like to design a special low noise amplifier for them next year.
All information in this abridged electronic
newsletter is valid at the stated date at the top of this newsletter
and all information is correct at the time of its release. Some
information may not be relevant at the current time, please check
with us for any queries regarding this newsletter. All product
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